ARE WINE CRITICS IMMUNE TO SUBJECTIVITY?

I had an interesting conversation with Joe Roberts (1Winedude) on Twitter about how we as wine critics approach rating a wine. What started the interaction was a statement I made on Twitter about switching from the 100 point scoring system for wine to the A-F grading system that Joe currently uses. In our conversation, it became obvious that a critics ability to get around subjectivity when it comes to reviewing a wine was the cause of what became a friendly debate between the two of us. Are wine writers and critics immune to subjectivity?

My answer to that question is no, and here is why. I am assuming of course that most wine critics like myself enjoy drinking wine…Otherwise why would we feel inspired to write about the subject and feel qualified to make judgements about what we are tasting. That being said, since we like wine, we are going to have preferences that cannot be ignored. We may analyze a wine and break it down into elements that make a wine good or bad, and then rate it based on the sum of its parts. However, it is each of those elements of a wine that define its subjectivity. Take for example acidity.

Acidity is a key element in the longevity of a wine. Without balanced acidity, a wine will not age very well. Acidity also is a key component in driving the flavors of a wine. We can liken acidity to electricity. It lights up the flavors and gives them impact on the palate. Without a balanced amount however the wine can be dull and flabby with no life or electricity as it were. This is where subjectivity comes in. Some of us (critics) may be fond of acidity. In fact, I have a wine drinking friend who is literally addicted to acid. He sells wine to me and nine times out of ten, he will bring a wine that leans heavily towards acid. Now, I myself enjoy a wine with a heavy dose of acid from time to time. However, I lean towards a rounder style with balanced acid. Will my friend be influenced by his love for acidity if he is rating a wine? I firmly believe he would be, maybe not purposely, but subliminally. Deep in his soul, he craves acid and if the wine does not deliver the amount needed to satisfy that craving, it will not make the grade.

My weakness is minerality. As soon as a wine shows minerals in the mouth, I go nuts. I love it, I crave it, and I know that it influences my feelings about a wine. I may try in vain to ignore this part of my wine psyche but I know deep inside that it will rear its head. Minerals are all about terroir and I am all about a wine expressing its sense of place. I know there is a constant debate about terroir and I refuse to believe that wine does not express in its soul where it was born and raised. Therefore, I will be the first to admit that a wine that is mineral driven will get a thumbs up from me. I’m not saying that I don’t try to recognize that, and work to be objective when it comes to a wine containing a healthy dose of minerals. I’m just saying that deep inside I know it influences my rating of a wine, along with being balanced and well made.

One of the top critics in the world is known for craving certain styles of wine and rating them accordingly. Who might that be? Robert Parker Jr. has long had the reputation for liking as he would put it… generous, unctuous wines. Whether you like him or hate him, his wine ratings have made or broken wineries around the globe. He has been accused of driving wine makers to produce wines that are high in alcohol, big and bombastic in order to procure a high rating in his wine journal The Wine Advocate. I’m not sure if all of that is true, but it goes to show that even a highly regarded wine critic is incapable of avoiding subjectivity when it comes to rating wine.

That is why I chose to switch over to the A thru F grading system for rating wines. I had a few teachers in school who would give me an “A” not because my work was perfect, but because they liked the effort I put into the class, or they just liked me as a person. Is that fair? Not always of course but it is the way life works sometimes. If I give a wine an “A” it may not be a perfect wine. What is a perfect wine anyway? I give a wine an “A” because it pleases my palate, it shows a good effort in wine making, it has all the elements that make a good wine a good wine and I just simply like it enough to give it an A. If it puts my palate on overload, I may be inclined to give it an A+.

A retired teacher friend of mine once told me that the 100 point system in school was always a problem for him. He would give a student 96/100 and invariably that student would come to him and ask why they didn’t get a 97. It’s good question and a fine line. What if I were to give a wine 99 points? Why not 100? What one flaw in that wine caused me to nix it by one point? And is a 100 point wine really a perfect wine? Who says so? The 100 point scoring system is too definitive and I believe superfluous. Why not just use a ten point system? How many times have we said…”How is it on a scale of 1 to 10, 10 being the best? Actually, I believe you can’t put a number on a wine at all. But you can grade it according to your personal palate preferences and other factors that come into play such as balance, minerals, acidity and finish.

In our Twitter conversation Joe Roberts (1Winedude) made an interesting statement…”The grade represents where I see that wine on a continuum of best/worst in the world.” Now Joe, like many wine critics has opportunity to taste a ton of wine over the course of a year. And not only “wine”, but many different wines. This no doubt gives him a broader spectrum on which to base his grade. However, Joe likes certain things about a wine that influences his grade of that wine. And, the fact that he tastes so many different wines certainly has to solidify his preferences. I will be the first to tell you that not everyone is the same, and 1Winedude may have better control over his preferences in wine then me, but he still has certain things he likes to taste in a wine.

I think it is safe to say that if we as critics are honest with ourselves we will admit that we are not immune to subjectivity. I know that most critics taste a boatload of grape juice and therefore have a broader base on which to compare and grade each wine. However, we are all human and have our likes and dislikes and this will show in the score or grade we give a wine. So, the key for the consumer is to get to know the critics palate and decide if you want to follow their direction. Their “A” wine may be your “B” wine and that is o.k. if you understand that. I’ve tasted some wines that other critics have raved about and I didn’t like them at all. One purchase is usually all it takes for you to know what direction the critics palate leans.

Be assured that nearly all us wine critics have the best of intentions. We want to give guidance to our readers so that when they invest their hard earned money, it is in a worthwhile bottle of wine. We love wine, and love to write and talk about it. But, we are human… ’nuff said.

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THE MOLESKINE IS STARTING TO BUZZ…

Things started warming up for me this week as far as wine tasting goes, and I found a few little gems to share with you. Although I stated in an article earlier in the month that I am sticking with the 100 point wine scoring approach, I have changed my mind. I will write an article stating why the change came about. For now, I have decided to go with an A-F grading system for rating the wines I taste. In short, I think this is a system that allows for subjectivity and it is flexible enough to let you know how I really feel about a wine. I have come to believe that the 100 point scale is superfluous, and Robert Parker Jr. has basically made it a joke with inflated scores. Keep your eye out for my comprehensive explanation of my decision to switch approaches. That being said, here are some of the wines I have tasted this past week. I have a ways to go before I catch up to the powerhouse tasters like Parker, Tanzer or Asimov, but I am on my way. (Maybe)

2010 Caduceus Cellars Le Cortigiane Oneste (Jerome, Arizona) … $50.00
I received this bottle via a friend and as far as I know this is only available to wine club members.
I was kind of excited to give this a try, because the wine maker listed on the back of the label is Maynard James Keenan who is the lead singer for the alternative rock band Tool. There are number of celebrity backed wineries out there, but this is the first I’ve tried where the celebrity is listed as the wine maker.
Perfumed on the nose with notes of strawberries, cassis, caramelized cranberries and red cedar bark. Cranberries and bright cherry notes all over the palate. There is an undertow of strawberries that comes through on the mid-palate and finish with lingering strawberry and cherry notes. At first the wine seems to be light, but it grows in power as it sits in the mouth. 50% Barbera and 50% Merlot (B-)

2009 Haystack Needle “The Eye” Red (Washington State) … $9.99
I have really been a fan of this wine over the past couple of years. For ten bucks it has been an excellent value. I am not so sure about this vintage however. Strong perfumed notes on the nose which actually reminded me a little of make-up (lipstick). Notes of cherries, blueberries, black olives and iron. In the mouth, notes of perfumed blueberries, minerals, cedar and cherries. There is a nice intensity of fruit from start to finish with a little green vegetation edge on the finish. Wine drinkers will like this wine, of that I am sure. However, I could not get over the strong make-up perfume that kept coming through. (C+)

2009 Enrique Mendoza La Tremenda Monastrell (Alicante, Spain) … $13.99
Eric Asimov, wine columnist for The New York Times along with a panel of tasters picked this Monastrell as one of their top values recently, so I wanted to see what it was about. Eric doesn’t believe in writing out descriptors of the wines he tastes, so it is hard to pin down his palate. I thought this wine would give me a little clue.
Aromas of blackberries, cherries and a hit of rusty iron. Tart cranberries on the palate backed by notes of red cherries and under-ripe blackberries. Loads of minerals and acidity giving it a sharp fruit attack from start to finish. This wine is a little tough to take if you want some riper fruit. But, if you are an acid freak and like your wines a little tart, not to mention the minerality, you are going to love this. Based on Eric’s affection for this wine, I am guessing he attended Woodstock and has a nice collection of Jimmy Hendrix, Janis Joplin and The Doors music at his home. ACID BABY!! (C+)

2009 Kunde Family Estate Cabernet Sauvignon (Sonoma Valley, California) … 20.99
Aromas of perfumed (Not make-up) notes of black currants and bright blackberries with hits of vanilla and black tea. Polished tannins back notes of cassis and black currants that expand across the mid-palate. A little oak and minerals come through on the medium finish. There is a nice green element to this cab that gives it an “old world” edge. However, there is also enough fruit to please a broad cross section of palates. (B)

2011 St.Urbans-Hof Piesport Spatlese Riesling (Mosel, Germanay) …. $40.99

Very intense aromas of peaches, apricots and apples. Bright and concentrated in the mouth with notes of vanilla cream, mango, apricots and papaya. There is a beam of sweetness to this wine but it finishes dry. I know it’s forty-one bucks, but if you are a Riesling nut, you are going to love this gem. (A-)

2011 Terracita Tempranillo (Cayalunya, Spain) … $7.99
A little perfumed flower element on the nose along with notes of rusty iron, blackberries and currants. Loads of minerals and baked earth on the front of the palate, with hits of blackberries and red currants. There is a nice balance of acidity that “pops” the fruit notes in the mouth. There is a veggie component that comes through on the mid and finish along with tobacco leaf and minerals. This baby needs some lamb or beef. (C+)

2011 Tilia Cabernet Sauvignon (Mendoza, Argentina) … $9.99

Dusty notes of dense dark fruits on the nose with a little tobacco leaf and currants thrown in. Polished tannins in the mouth backed by plush fruit notes. Black cherries and currants up front that expand on the mid-palate. Tobacco leaf notes come through with a nice bright core of acidity, that leads into a long spicy white pepper driven finish. This is a little “fat” for a cab, but is a solid effort. (B-)

2011 Grayson Cellars Zinfandel “Lot 12” (California) … $9.99

A little beef action on the nose along with some soy sauce, vanilla and bramble berries. Nicely balanced Zin, with notes of mixed berry jam, blackberries and cherries, backed by hits of white pepper and spice. This zin stays clear of over-the-top jammy, but still delivers classic zin flavors with a nice back round of spice and blackberries. (B-)

2010 Buena Vista Zinfandel (Sonoma, California) … $14.99
Solid core of dark fruit notes on the nose (Dark cherries and currants). Nice intensity on the palate with notes of boysenberries, black currants and a hint of oak. There is a nice balance of acidity and fruit to this wine keeping it from becoming a fruit bomb. This zin gains power on a long-ass finish with a slight grip to it. There seems to be an underlying core of black raspberries from start to finish. I am a zin lover, and this is an excellent surprise for fifteen bucks.

That’s it for this week. I hope you found something you can look for, and I hope I convinced you to save some of your money instead of spending it on a mediocre bottle of vino..

Cheers! Stan The Wine Man

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A SLOW START IN ’13.

There are times in the wine life where for some reason tasting wines is put on hold for a bit. It seems that the first week of ’13 has been just like that. Few wines have come my way and a majority have been somewhat of a disappointment and a couple of gems popped up. I had to fall back on an old favorite for my pick of the month simply because nothing else has hit me as a great wine at a great price. Of course my old favorite is a great wine, and deserves to be the pick for January… Funny thing, I’ve never featured the wine. Kinda weird if you ask me.

That being said, I have a few reviews to share from the Moleskine for the week.

2011 Charles & Charles Red (Columbia Valley, Washington) … $9.99

This is one of those great values from Washington in the blend category. Two years ago this was one of my favorite reds. This vintage does not live up to that reputation, but it isn’t bad. The nose is a little restrained on this wine with faint notes of black currants and dark cherries with an edge of sweet fruit. Red cherries and currants in the front of the mouth followed by an edge of tobacco and cassis on the mid-palate. Smooth tannins with a brightness to it from start to finish and a dark rim (I hope that makes sense). I got a little cherry jam action and green tobacco leaf on a medium finish. I was hoping this wine would “pop”, but the flavors never did. Just a little boring for me, but I can see a lot of folks liking this for the $$. 72 % Cabernet Sauvignon, 28% Syrah. (C+)

2008 Domaine LaCroix Chaptal LeSigilees (Languedoc, France) … $10.99

Talk about a stinky nose! The only word that came to me was poop. I think I got a little cherry and cassis action but it was hard to tell. Soft tannins with loads of minerals in the mouth. Cassis and red plum notes from front to back with a little tobacco and cassis hit in the mid-palate followed by a medium finish. It is hard to shake the barnyard from the mouth, and I found that a little distracting. 40% Carignan, 30% Grenache Noir & 30% Syrah (C)

2009 KopKe Vinho Tinto (Douro, Portugal) … $12.99

I’m really searching high and low for some of these gems from Portugal. There are a lot of average blends, but when you hit a good one, it is really good. This one fell in the average to above average category. Aromas of bread crust, dark cherries and blackberries. Smooth tannins with a nice flow across the palate. Notes of blackberries and blueberries come through with a little spice element. Well integrated but fairly simple. However, I have to give it a “Ten” in the delicious category. I can see a lot of folks digging this red. 35% Touriga Nacional, 25% Touriga Franca, 25% Tinta Rorize, 15% Tinto Cao. (B-)

2011 Saint Cosme Cotes Du Rhone (Rhone, France0… $14.99

I heard some good things about this wine so I was eager to give it a try. I now understand the good reports. On the nose it kind of reminded me of a roast-beef sub sandwich blended with a little Rhone Valley baked earth and intense dark fruits. Not a bad nose for thirteen bucks. On the palate, dark cherries and black plums jump all over the mouth. Smooth, polished tannins support the fruit and notes of baked earth, minerals and tobacco leaf. Pleasing long finish with notes of earth drenched in dark cherries and plum with lingering spice. This has to be one of the best thirteen dollar wines I’ve tasted in recent memory. 100% Syrah. (A-)

2010 Gnarly Head Authentic Red (Lodi, California) … $10.99

Very jammy on the nose with notes of dark cherries, blackberries and an edge of mint. Very fruit forward on the palate with a little sugar thrown in for good measure. Mixed berry jam notes coat the palate leading into a sugar coated, long finish. Soft and jammy would be a fair description. I’m surprised there isn’t a C&H symbol on the label. Vanilla ice cream anyone? A blend of Zin, Merlot, Cab & Petite Sirah. (c-)

2009 Urban Ribera Tinta Del Pais (Ribera Del Duero, Spain) … $14.99

Very heady on the nose, no doubt due to the 14.5% alcohol content (Probably more). Aromas of tobacco, red flowers, earth and currants. Explosive ripe fruits on the palate with ripe dark cherries and black currants with a little raisin element. It stays powerful, with big fruit across the palate. I reminds me a lot of a big jammy California Zin. It finishes with notes of ripe black currants and spice with a little grip. The alcohol shows on this wine big time making it a little awkward on the palate. This is a Tempranillo and shouldn’t taste like this. Just say’in. (c-)

2009 Ramos Pinto “Duas Quintas” Red (Douro Valley, Portugal)… $12.99

Deep dark fruits on the nose with a little stink and petrol thrown in. Don’t let that turn you off, it usually means your in for a good wine. Plus, most people don’t spend nearly enough time sniffing the juice. YOU SHOULD! Very plush mouth-feel with ripe black currants and dark cherries supported by silky tannins. Nice flow across the palate with a little spice hit in the middle. Nice lingering finish with notes of tobacco, currants and white pepper. This is one of those Portuguese red blends that I am in search of, and this is what I am talking about! A blend of Tinta Roiz, Touriga Nacional and Touriga Franca. (B)

I hope you enjoy sharing my tasting notes with me. Of course, my goal is to help you find good wines for the money and to avoid wasting your money on a mediocre bottle. After looking things over, this wasn’t such a bad week after all! I am hoping that next week reaps similar good results in the tasting world (sans the stinkers). Cheers! Stan The Wine Man

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ON AN EVEN KEEL IN AN ODD YEAR…

Yeah, I know it is a corny title, but since 13 is an odd number I am going to have some fun with that theme this year. As far as the even keel part, I am staying on course in my efforts to find the best wines for you at the best prices. This means that I will have to taste a bunch of wines and take a bunch of notes and do my best to pass the info on to you. I will continue to use the 100 point scale when analyzing the wines and I do this because it is the most recognized system. I always remind my readers that the scores are my own feelings about the wine. It is not meant to be an absolute assessment of the wines themselves. Wine is an individual sport… You may disagree with my palate and that is fine. I’ll always do my best to give an honest appraisal of the wines and give you the best descriptors I can to help you decide if you want to try them or not.

QPR (Quality to Price Ratio) is a big thing for me. Is the wine worth the price being asked for it? Does it over-deliver for ten bucks, or does it disappoint at a hundred bucks? I am not only a wine steward, I feel a responsibility to help you spend your money wisely, especially when it comes to a bottle of wine. As far as pumping out wines that are very good and are ridiculously inexpensive, look no further then Spain and Portugal. I can guarantee you that many wines from both these regions will be my top picks in 2013. Argentina and Chile as well as Washington State are also regions to look to for great values.

I hope to continue interviewing wine personalities for my blog. It has been an interesting experience and I learned a ton interviewing Nick Gislason (Screaming Eagle), Sarah Marquis (Mollydooker) and Joshua Maloney (Milbrandt Vineyards). I am working on an interview I did with Chuck Reininger who is both wine maker at and owner of Reininger Winery in Walla Walla, Washington. I am also working on changing up my format a bit so that it is not just a straight up Q&A piece. Either way, I hope the interviews have helped you relate to some of the wine personalities that are responsible for many of the wines we enjoy. It is quite interesting to me how many different approaches and philosophies there are to the art of making wine.

As far as blogging goes, my only resolution for 2013 is to liven up my site, and make sure there is plenty of content for you to enjoy. I know I need to add some pictures to my blog and that is something that I am working at. I am also determined to keep the feature, “From My Moleskine To You” updated weekly whether it is one wine reviewed or thirty. As you can tell, I have a lot to focus on. Once I figure out how to type on my new laptop, life will get a lot easier.

Although it is destined to be an odd year, I believe it will be a good one. Cheers & Happy New Year. Stan The Wine Man

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